Scott Sweatt had hoped to play many roles as an actor. Pablo Picasso wasn't one that readily came to mind. Even more far-fetched was playing Picasso in a play written by Steve Martin. Yeah, THAT Steve Martin, the funny guy in the movies.
"I hadn't seen the show," says Sweatt, "but I'd heard about it from friends who'd seen it. They said it was very well-received."
Now those friends can see Sweatt in the play. "Picasso at the Lapin Agile," will be staged through May 10 at New Rep's Mosesian Theater at the Arsenal Center for the Arts in Watertown.
The time is 1904, the central figures are Picasso and Albert Einstein, who meet at a bar in Paris. They are young, and as yet undistinguished. "Two geniuses before they were geniuses," says Sweatt. "Every day guys."
The play, Sweatt says, "reminds us we all have the potential to impact the century we're in." Picasso and Einstein mull what, in the new century, will matter more, art or science. The debate is full of possibilities, and in Martin's hands hardly bereft of humor.
Given Martin's genius to make us laugh, Sweatt says "it's a very funny play. Martin is a very smart man. He says some good stuff as a comic attuned to the world. Beyond that, there's a great parallel between the meeting of an artist and scientist. There is an overlap between them."
Sweatt, a New Hampshire native, quickly gravitated to the theater. "At some point in high school I realized this is what I wanted to do." Prior to attending Skidmore College, Sweatt had been cast in mostly musicals. College changed that. "It opened by eyes beyond musical theater. I studied in London, expanding my definition of theater."
When he enrolled at Columbia, things really took off. "It was an incredible experience for three years; it was where I started flexing my muscles as an actor." It's led him to powerful roles like Mitch in "A Streetcar Named Desire."
Playing Picasso has been an education in itself. "He was a hungry, hungry man to achieve something," says Sweatt. "He recognized the energy of Paris as the place he needed to be. In order to live up to his ego and mystique, he created things to create that mythology. He wanted something that would change the art world." His works did just that.